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Naohi Deguchi and the Arts
Meanwhile, an emphasis on the traditional arts had always
been a part of Oomoto. Onisaburo once said, "Art is the Mother
of Religion". Naohi developed the arts at Oomoto, causing
a Noh drama stage to be built inside the Banshoden Sanctuary
in Kameoka, and filling the Oomoto headquarters with tea
ceremony rooms, practice stages, martial arts halls, etc.
She also nurtured the growth of Noh practitioners and
masters of tea and martial arts within Oomoto.
The groundwork laid by Naohi in the arts became the base
for a new surge of international activities in the 1970's.
In 1972, sparked by interest in Onisaburo's Yowan
shown by Vadime Elisseeff, Director of the Musée Cernuschi
in Paris, Oomoto sent an art exhibition on a world tour
lasting three years and three months, and visiting thirteen
cities in Europe and America.
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Joint Worship Services 1975 and 1977
The Oomoto Art Exhibition featured art works by Onisaburo, Sumiko,
Naohi, and her husband Hidemaru. It culminated in March and November
1975 with joint worship ceremonies at the Cathedral of St. John the
Divine in New York City and Grace Cathedral in San Francisco. These
ceremonies were the first in history between Shinto and the Episcopal
Church, and their impact on the Japanese religious world was to be
very far reaching.
In February 1977 Dean Morton of the Cathedral of St. John the Divine
traveled to Japan to perform the "Kiss of Peace" at Ayabe.
This was followed in October 1977 with a ceremony led by Kyotaro
Deguchi (Naohi's son) at the Vatican, and in November by another
Episcopal-Shinto service at Kameoka, presided over by Dean Rodgers
of Grace Cathedral in San Francisco.
Subsequent years have seen Oomoto involved as sponsor or
participant in numerous joint worship services throughout
the world, from Mt. Sinai to India.
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Kiyoko Deguchi
The Fourth Spiritual Leader
Naohi's later years were taken up by the rebuilding of the
Choseiden, Onisaburo's cherished Temple for All Religions
which had been destroyed in the Second Incident.
Naohi died in 1990, and it was left to her daughter Kiyoko
Deguchi, the Fourth Spiritual Leader, to complete the Choseiden,
rebuilt in pure Japanese style in 1992.
Now headed into its second century, Oomoto continues to pursue,
through arts and joint worship, the ideal of "Oneness" of its
Founders.
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Kiyoko, the Fourth Spiritual Leader
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